1. What's going on in measures 11 - 16 of Beethoven's Sonata Appasionata?
  2. What intervals and enharmonic equivalence would give us, e.g., 19 notes per octave?
  3. What purpose do accidentals serve in music?
  4. Why are some instruments listed 'in F' or 'in B'?

  5. What is the list of intervals in order of dissonance

  6. History of "jazz minor/melodic minor" harmony

  7. Theories of musical texture

  8. Negative harmony and "rotating around the axis"
  9. Understanding the relationship between keys, scales, and chords
  10. How to improve/solo over a song/backing track besides staying in key?

  11. Writing Piano Accompaniment Rhythms

  12. What constitutes a more effective skill development in self-teaching piano; aural skills or music notation?

  13. Ear training - help recognizing intervals

  14. Why have sharps and flats instead of twelve notes with distinct names?

  15. How to add higher strings onto an 8 string guitar?

  16. How do I know which tensions are available?
  17. Parallel Fifth in a Symphony Orchestral

  18. How do I use the 'white-key method' as an aid for memorizing intervals?

  19. How many cents would would i need to shift the pitch of the sample to change its key?

  20. Why does the dominant chord contain a flattened 7th?

  21. Which are the best books of learning how to harmonize Barogue: chorale, Early Romantic: Pianoforte, and Twentieth Century: Popular Song please?

  22. How do you know when a key name needs an accidental?
  23. accidentals in measure

  24. Good theory books/guitar/singing books?

  25. Composition of a string quartet
  26. I have a problem with tempo during recordings

  27. Why is the natural minor the most popular mode of the major scale?
  28. With sheet music, how do you determine whether the song is in the major key or the minor key?

  29. Why are scales built sequentially, rather than around the circle of fifths?

  30. What are the practical reasons for still having transposing instruments?

  31. Learning the Circle of FIfths

  32. How does AMEB exams mark melody writing?
  33. analyzing Hisaishi Joe's "Village in may " 3
  34. What's the difference between an accidental and a non-diatonic note?
  35. Trick to figure out what the proper note to play is when playing in thirds?

  36. A little music theory question regarding chord progressions

  37. Ranking dominant chord alterations by dissonance
  38. Analyzing Hisaishi Joe's "Village in May" & its chord progression
  39. Why are there both sharps and flats?

  40. Is F Lydian mode in the "key" of C Major?
  41. Which key signature to pick for this chord progression?

  42. How to identify syncopation?

  43. Chord progression if the chords are not part of the scale?
  44. Understanding why these specific chords are played?
  45. How does bpm change affect the timing of notes?
  46. Is there any way to improve composing?
  47. What is the difference between the Circle of Fifths and the Camelot Wheel?

  48. Music Mode what mode is song in?

  49. Can an arpeggio be multiple chords?

  50. How did Pythagoras and Ptolemy measure the relative pitch of musical notes?

  51. What exactly is a beat in sheet music/music?

  52. How do I manage internalizing foundation for chords, scales, hamonies and voicing
  53. How is a chord progression with G#, D#m, F and G possible?

  54. the right way to notate enharmonic notes
  55. How to get AMusTCL for theory by self learning?
  56. What is a tonal plan?
  57. Is this a helpful way to think about Coltrane Substitution?
  58. Can I ignore the bottom number in a time signature if I know the BPM?
  59. Do you need anything beside the BPM and number of beats per measure to specify a rhythm?

  60. Is a whole note in seconds equal to 60 divided by BPM?

  61. What's the point of keys other than C and Am?
  62. Understanding minor key harmony

  63. Are left hand chord patterns influenced by the time signature?
  64. How do I identify the key of this modulation?
  65. Does changing the music's key change the feeling?

  66. How to analyze a song?

  67. How do we construct sweep picking "shapes" and how can I modify them?

  68. Does vibrato’s or tremolo’s count as rhythm?

  69. Is it good practice to use Synthesia to figure out songs?
  70. Improvisation from four notes in a hat

  71. Can you help me find the harmony for the following melody?

  72. What are 5 and 6 note chords called?

  73. What chord is formed by the open strings of a guitar in standard (EADGBe) tuning?
  74. What Gives Modern R&B Its "Sound"
  75. What do you call a minor triad with a 4th in the bass?
  76. Is splitting the quarters into triplets syncopation?

  77. "Overture" or "Ouverture" to designate the first part of a piece?
  78. What are the Coltrane Changes?

  79. Is it possible to find the mode of the borrowed chord?

  80. How do I analyze this altered dominant chord?

  81. Where do the double accidentals go in "theoretical" key signatures?

  82. What are the primary (or most common) chords of the minor scale?
  83. What's the difference between arpeggio and broken chord?
  84. Songs Not Following The Layout Of A Key

  85. Notating a melody over a free-flowing arpeggio
  86. What is the difference between a mode and a scale?
  87. Do any countries use scales apart from major and minor for their anthem?

  88. Is this an imperfect authentic cadence in a minor key?
  89. How to start now Guitar and Music Theory Or Guitar Theory

  90. Do all modes make another mode when reversed?

  91. Dissonance: why doesn't the roughness curve have a dip for complex intervals like 7/6?
  92. Theory of scales in piano improvisation

  93. Jazz improvisation theory
  94. What makes an interval "Perfect"?
  95. What are modes in series?

  96. "Romantic Harmony" example; Why does it work?
  97. Modal theory and resolution
  98. What makes an interval "perfect"? Is this scale-dependent?

  99. What is state and response and modal sequence in music theory structure analysis?

  100. 2-5-1 Jazz progression and modes